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Roman Leykam
»Enticing«
Mar 2026 · 13 Tracks · 73:38 Min.

CD FMA 2557
UPC 198595438060


Con­temp­la­ti­ve and me­lan­cho­lic sound­scapes of sus­pen­sion and dis­so­lu­tion. A thought­ful and evo­ca­ti­ve mu­si­cal ex­pe­rien­ce.

Tracks:
1 A Tireless Choir of Waves 5:00, 2 A Touch of Bleakness 6:02, 3 Fleeing Shadows 7:02, 4 Elation 3:22, 5 Transformation 3:50, 6 Winter Light 4:27, 7 Myriads of Black Angels 5:27, 8 Ponte Pantalon 5:15, 9 Grey Unlimited Water Area 7:16, 10 Environmental Sounds 7:38, 11 The Leisure of a Dream 5:00, 12 Silent Beauty 6:00, 13 City of Masks 6:41;

Recording and Mix 2022 in the stu­dio of Ro­man Ley­kam.
Mastered 2024 in the studio of Frank Meyer.
Produced and performed by Ro­man Leykam.
Artwork by Frank Meyer and Roman Leykam.
Photos by Roman Leykam.
4-sided DigiSleeve;

Roman Leykam: analog & digital guitar synths, e-guitar, guitar treatments, field recordings;
field recording at track 7 by Jacqueline Leykam;

Roman Leykam Biography



available at

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    · Roman Leykam at Youtube

  amazon.de
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    · Roman Leykam at amazon.de

  spotify
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    · Roman Leykam at Apple Music

  qobuz
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    · Roman Leykam at qobuz

  CUE-RECORDS
    · CD
    · Roman Leykam at CUE-RECORDS

  7digital
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Reviews:

... The pieces often de­vel­op or­gani­cally and come across as acous­tic land­scapes that grad­ually shift. This cre­ates a r­ather con­tem­pla­ti­ve listen­ing ex­pe­rien­ce that allows the listen­er to immerse them­sel­ves in me­di­ta­tive, weight­less sound­scapes. ...
Rainer Guérich - inMusic No.130 June/July 2026 - inMusic

... Melancholy meets elec­tri­fied sound­scapes crea­ted using gui­tar, synths and field re­cor­dings. The Nurem­berg-based gui­tar­ist, com­po­ser and pro­ducer RO­MAN LEY­KAM loves ex­peri­ment­ing with his in­stru­ment and, at the same time, di­stort­ing the sounds pro­duc­ed in the pro­cess, which large­ly rely on gen­tle re­pe­tit­ions, as heard in the am­bient works of FRIPP & ENO. ...
Thoralf Koß - May 2026 - musikreviews

... The abstract compositions come across as cold, and with such a long run­ning time, this can be­come ex­haust­ing over time. If you pick out a sin­gle track, such as 'Po­nte Pan­ta­lon', you’ll find some ge­nuine­ly in­te­rest­ing arrange­ments, but to en­joy this kind of mu­sic for over an hour, you real­ly need to have a cer­tain fond­ness for ex­pe­ri­men­tal mu­sic. ...
Jürgen Meurer - April 2026 - BetreutesProggen.de

... Contemplative, melancholic, ethe­real, and evo­ca­ti­ve sound sculp­tu­res that are more re­flec­tive, cal­mer, and soft­er than Ley­kam’s ear­lier ex­plo­rat­ions, with­out ever veer­ing in­to muddi­ness. A wide varie­ty of field re­cor­dings serve as a com­mon thread ...
Jürgen Parr - Apr 2026 - Doppelpunkt - Ma­ga­zin für Kul­tur in Nürn­berg - Fürth - Er­lan­gen.

... it’s not an album that reaches out. It waits. And if you meet it half­way, it does some­thing mild­ly in­con­ve­nient: it re­moves the illu­sion that still­ness is emp­ty. In­stead, it re­veals it as crow­ded, layer­ed, and slight­ly un­sett­ling ...
Vito Camarretta - April 2026 - CHAIN D.L.K.

On "Enticing", Roman Leykam doesn’t just make music - he con­structs sonic spa­ces that you first have to find your bear­ings in ... You can tell that some­one here has been con­sis­tent­ly follow­ing their own path for de­cades, with­out pay­ing much attent­ion to trends. The al­bum de­mands pa­tience, but re­wards you with a ra­ther in­tense at­mo­sphere. Not for quick con­sump­tion, but ra­ther for a slow immer­sion.
March 2026 - mix1.de


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